As you can imagine, I have to keep the bus music pretty kid-friendly, so we have been on a steady rotation of Destiny's Child, Mariah Carey, Boyz 2 Men, Michael Jackson (& the Jackson 5), James Brown, and plenty of lousy pop-country hits from the radio. In the meantime, I've picked up a few new albums while on the road, and I have to say: September wasn't a bad month for hip-hop.
My first purchase on the road was Jay-Z's The Blueprint 3. Being a huge fan of his first Blueprint album, I had high hopes for Blueprint 3, especially considering the 2-disc misguided transition piece that was The Blueprint 2. Since 2, he has released a bona fide classic (The Black Album - 2003), a somewhat forgettable comeback album (Kingdom Come - 2006), a themed-yet-dynamic pseudo-soundtrack pseudo-memoir (American Gangster - 2007), and now this. I have to say I was thrilled in July when I first heard "D.O.A. (Death of Auto-Tune)," as I saw it as Jay using his power for good. He has long been ahead of the trend, the fashionable, the popular--it seemed right that he would be the first mainstream artist to publicly defame the auto-tuned mess of radio material--and he never actually used the auto-tune himself. How many guys who consider themselves relevant can say that? Anyway, back to the album.
Not a classic. Doesn't change the game the way Blueprint did. But also not as forgettable as Blueprint 2. Jay is a much different man and a much different artist than he was when he made those albums. He has been CEO of Def Jam, he got married, he is currently seated as the most powerful MC alive, and he takes his roles seriously. What he does on this album is good. He rhymes well, he collaborates with other great artists (Alicia Keys, No ID, Kanye West, Pharrell Williams), invites new gifted artists (Kid Cudi, Drake, Rihanna), and tries his hand at some styles that aren't necessarily straight from the BK. "On To The Next One" is my personal favorite of these--the beat sounds straight out of the Bay--like a Zion I or Grouch beat, complete with multiple switches. Jay rides it effortlessly, though it does seem strange to have the NYC top-of-the-throat rhyme style over a beat that you'd typically hear a laid-back-basement-studio voice on. It works, though. I also applaud "A Star Is Born," in which Jay pays respect to most of the artists who have gotten big during his 13-year tenure at the Top. You can hear how he views each of their successes, but what is most interesting to me is that each has faded away by now, and he has not. He is still in the forefront, chronicling their eventual irrelevance. I have a feeling that if Jay keeps grinding and staying ahead of the game as he has up to this point, we can expect many more good things from him before he finally calls it a career.
The other new album I am excited about is Kid Cudi's album Man On The Moon: The End of The Day. I knew Cudi from his work on Kanye's 808s & Heartbreak (which I really liked and wrote about in this post), but I didn't really know what to expect from his first full album. I wasn't thrilled when I heard "Day N Nite" on the radio this Summer, but it grew on me, and I could tell Cudi was striving for creativity and newness in his music. I've had the album for a week now, and I can't stop listening to it. It certainly fits the title: it sounds like the digitalized, romanticized trip to the moon. The "Lonely Stoner" chronicles his romantic mishaps, his escapist tendencies, and all the while balances a mellow feel with a charismatic sense of humor. He doesn't try too hard to be "different," because he really is doing something that nobody else is doing right now. You can hear some flashes of 808s & Heartbreak, but it doesn't deter from Man on the Moon as much as it does clarify some of the genius behind 808s.
Like I said, "Day N Nite" wasn't my favorite, but "Soundtrack 2 My Life" pulled me in, and no tracks made me want to back away. I recommend this album to anyone who is seeking hip-hop that rejects the formula.
I also am enjoying:
Q-Tip: Kamaal the Abstract
I am having fun with:
Busta Rhymes: Back on My B.S.
I am already semi-bored with:
Drake: So Far Gone
Thanks for checking in, everyone! Any recommendations?